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List of Illustrations | p. vii |
About Longman Cultural Editions | p. ix |
About This Edition | p. xi |
Introduction | p. xv |
Table of Dates | p. xxiii |
The Castle of Otranto (1764) | p. 1 |
The Man of Feeling (1771) | p. 103 |
Contexts | p. 207 |
Sublimity, the Supernatural, the Real | p. 209 |
Edmund Burke, from A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and the Beautiful | p. 209 |
Anna Letitia Aikin [Barbauld] and John Aikin, from "On the Pleasure Derived from Objects of Terror; with Sir Bertrand, A Fragment" | p. 211 |
David Hume, from "Of Miracles" | p. 213 |
Samuel Johnson, from The Rambler No. 4 | p. 215 |
Samuel Johnson, from Preface to Shakespeare | p. 217 |
Clara Reeve, from The Progress of Romance | p. 218 |
Clara Reeve, Preface to The Old English Baron | p. 220 |
Samuel Taylor Coleridge, from Biographia Literaria | p. 221 |
The Gothic Revival and Chivalry | p. 223 |
William Chambers, from Civil Architecture 1759, 1791 | p. 223 |
John Carter, from "An Architect," Gentleman's Magazine 1799, 1801 | p. 225 |
Horace Walpole, from A Description of the Villa...at Strawberry-Hill | p. 226 |
Horace Walpole and George Vertue, from Anecdotes of Painting | p. 229 |
Alexander Pope, from Preface to The Works of Shakespeare | p. 231 |
Richard Hurd, from Letters on Chivalry and Romance | p. 231 |
Walter Scott, from "Essay on Chivalry, Romance, and then Drama" | p. 235 |
Marriage, Obedience, Sentiment | p. 238 |
Debating the Hardwicke Act | p. 238 |
William Cobbett, from The Parliamentary History of England | p. 239 |
Horace Walpole, from Memoires of the Last Ten Years of the Reign of George the Second | p. 242 |
Tobias Smollett, from Nicolas Tindal, Continuation of The Complete History of England | p. 243 |
Fleet Marriage | p. 245 |
Thomas Pennant, from Of London | p. 245 |
Alexander Keith, from Observations on the Act for Preventing Clandestine Marriages | p. 245 |
Conduct Literature | p. 246 |
George Savile, Lord Halifax, from The Lady's New-Years Gift: or, Advice to a Daughter | p. 246 |
James Fordyce, from Sermons to Young Women | p. 248 |
Cultures of Feeling | p. 250 |
Francis Hutcheson, from An Inquiry Concerning the Original of Our Ideas of Virtue or Moral Good | p. 250 |
Samuel Richardson, Preface to Pamela | p. 253 |
Adam Smith, from Theory of Moral Sentiments | p. 254 |
Jean-Jacques Rousseau, from Confessions | p. 255 |
Henry Mackenzie, from The Lounger | p. 257 |
Alexander Bicknell, from Painting Personified | p. 258 |
Laurence Sterne, from Tristram Shandy | p. 259 |
What the Reviewers Said | p. 263 |
The Castle of Otranto | p. 263 |
Critical Review, January 1765 | p. 263 |
Critical Review, June 1765 | p. 265 |
[John Langhorne], Monthly Review, February 1765 | p. 266 |
[John Langhorne], Monthly Review, May 1765 | p. 267 |
Horace Walpole, Letter in Reply to Mme. Du Deffand (March 1767) | p. 267 |
Ann Yearsley, "To the Honourable H - E W - E, on Reading The Castle of Otranto" (December 1784) | p. 268 |
Anna Letitia Barbauld, "Walpole" (1810) | p. 272 |
Walter Scott, "Prefatory Memoir to Walpole" (1823, 1834) | p. 273 |
The Man of Feeling | p. 281 |
Monthly Review, May 1771 | p. 281 |
Critical Review, June 1771 | p. 282 |
London Magazine, August 1771 | p. 282 |
Town and Country Magazine, August 1771 | p. 283 |
Scots Magazine, August 1771 | p. 283 |
Anna Letitia Barbauld, "Mackenzie" (1810) | p. 283 |
Walter Scott, "Prefatory Memoir to Mackenzie" (1823) | p. 285 |
Further Reading | p. 287 |
Table of Contents provided by Ingram. All Rights Reserved. |
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From theLongman Cultural Editionsseries, The Castle of OtrantoandThe Man of Feeling, edited by Laura Mandell, presents a lively pairing of mid-eighteenth century works that mark a watershed in the history of the novel. These short novelsHorace Walpolersquo;sThe Castle of Otranto(1764) and Henry Mackenziersquo;sThe Man of Feeling(1771)helped produce the turn from social realism to sentimentality and strangeness that will characterize works of the Romantic era as well as popular novels, Gothic spectacles, and all literary works interested in modern notions of individualism and human sympathy. Readers of 18 th century literature
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