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Introduction: On Poetry | |
A Brief History Anonymous (eighth century) | |
The Seafarer (modern version by Ezra Pound, 1912) Anonymous (eighth century) | |
From Beowulf (translation by C.W. Kennedy) Anonymous--Middle English Lyrics (thirteenth and fourteenth centuries) | |
Summer Is Icumen In. Alysoun | |
All Night by the Rose | |
Western Wind | |
The Lady Fortune Geoffrey Chaucer (c. 13431400) | |
From The Legend of Good Women Anonymous--the Popular Ballads (fourteenth and fifteenth centuries) | |
Get Up and Bar the Door | |
Lord Randal | |
The Three Ravens | |
The Cherry-Tree Carol | |
The Unquiet Grave | |
Bonny Barbara Allan Sir Thomas Wyatt (15031542) | |
They Flee from Me Sir Walter Raleigh (15521618) | |
The Nymph's Reply to the Shepherd Edmund Spenser (1552?1599) | |
From Amoretti | |
Sonnet 15 (Ye tradefull Merchants, that with weary toyle) | |
Sonnet 67 (Lyke as a huntsman, after weary chace) | |
Sonnet 75 (One day I wrote her name upon the strand) | |
Sonnet 82 (Joy of my life, full oft of loving you) Sir Philip Sidney (15541586) | |
Thou Blind Man's Mark | |
Leave Me, O Love Chidiock Tichborne (1558?1586) | |
Tichborne's Elegy Robert Southwell (1561?1595) | |
The Burning Babe Michael Drayton (15631631) | |
From Idea: Sonnet 6 (How many paltry, foolish, painted things), Sonnet 7 (Since there's no help, come, let us kiss and part) | |
Christopher Marlowe (15641593) | |
The Passionate Shepherd to His Love William Shakespeare (15641616) | |
From The Sonnets: Sonnet 18 (Shall I compare thee to a summer's day?) | |
Sonnet 20 (A woman's face with Nature's own hand painted) | |
Sonnet 29 (When, in disgrace with Fortune and men's eyes,) | |
Sonnet 30, (When to the sessions of sweet silent thought) | |
Sonnet 73 (That time of year thou mayst in me behold) | |
Sonnet 97 (How like a winter hath my absence been) | |
Sonnet 104 (To me, fair friend, you never can be old) | |
Sonnet 116 (Let me not to the marriage of true minds) | |
Sonnet 129 (Th' expense of spirit in a waste of shame) | |
Sonnet 130 (My mistress' eyes are nothing like the sun;) | |
Sonnet 144 (Two loves I have, of comfort and despair) | |
Sonnet 151 (Love is too young to know what conscience is,--) | |
Anonymous--Elizabethan Lyrics (sixteenth and seventeenth centuries) | |
Back and Side Go Bare | |
April Is in My Mistress' Face | |
My Love in Her Attire | |
There Is a Lady Sweet and Kind | |
The Silver Swan Thomas Nashe (15671601) | |
Adieu, Farewell Earth's Bliss Thomas Campion 915671620) | |
My Sweetest Lesbia | |
There Is a Garden in Her Face | |
A Brief History John Donne (15721631) | |
Song (Go and catch a falling star,) | |
The Sun Rising. A Valediction: Of Weeping | |
A Valediction: Forbidden Mourning | |
The Funeral | |
From Holy Sonnets | |
Sonnet 7 (At the round earth's imagined corners, blow) | |
Sonnet 10 (Death, be not proud, though some have called thee) | |
Sonnet 14 (Batter my heart, three-personed God; for you) | |
Hymn to God My God, in My Sickness Robert Herrick (15911674) | |
Delight in Disorder | |
Upon Julia's Clothes | |
To the Virgins, to Make Much of Time George Herbert (15931633) | |
The Pulley | |
The Collar | |
Easter Wings | |
Virtue | |
Love (III) John Milton (16081674) | |
Jow Soon Hath Time | |
On His Blindness | |
At a Solemn Music | |
On the Late Massacre in Piedmont | |
From Paradise Lost, Book 12 Anne Bradstreet (1612?1672) | |
To My Dear and Loving Husband | |
A Letter to Her Husband, Absent upon Publick Employment Andrew Marvell (16211678) | |
To His Coy Mistress | |
The Garden John Dryde | |
Table of Contents provided by Publisher. All Rights Reserved. |
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This affordable, chronologically arranged anthology features more than 500 poems written between the eighth century and the present. Multiple works by major poets allow students to compare different poems by the same author. The overall theme of the book asserts that poetry is a crafted art that is either molded by, added to, or reacting against tradition. A Brief History essays throughout the book discuss the social and cultural contexts of poems, major developments in the history of poetry, and technical literary terms.
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