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½Ã¿¡ ´ã±ä »ç»ö°ú °í³ú, ¿¬¹Î°ú ¾Ö¸°, ÀÚ¼º°ú Èñ¸ÁÀÇ ¾ð¾îµéÀº º¸¼®°ú °°Àº °Í.
Ãʱâ ÀÛÇ°ºÎÅÍ ÃÖ±Ù ÀÛÇ°±îÁö ¿¬´ë¼øÀ¸·Î ¼ö·ÏÇÏ°í ÀÖ¾î ½ÃÀÎÀÇ »î°ú ½ÃÀû ¼¼°èÀÇ ¹ßÀü°úÁ¤À» °¡´ÆÇØ º¼ ¼ö ÀÖ´Ù. ½ÃÀÎÀº Àڽſ¡ ½Ã¿¡ Á¡¿°µÇ¾î ÀÖ´Â »ç»ö°ú °í³ú, ¿¬¹Î°ú ¾Ö¸°, ÀÚ¼º°ú Èñ¸ÁÀÇ ¾ð¾îµéÀº »ý·¡ÀûÀÎ °ÍÀ̸鼵µ ´Ã °ç¿¡ µÎ°í ¸¸Áö°í ´ÙµëÀº º¸¼®µé°ú °°Àº °ÍÀ̶ó°í ¹àÈ÷°í ÀÖ´Ù. ÀÌ·± ÁÖ¿Á°°Àº ½ÃµéÀ» ¿µ¾î·Î ¹ø¿ªÇÏ¿© Àü ¼¼°è ¿¬±¸ÀÚ³ª ÀÏ¹Ý µ¶ÀÚ¿¡°Ô ¾Ë¸²À¸·Î½á Çѱ¹¹®ÇÐÀÇ ÁöÆòÀ» ³ÐÈ÷´Âµ¥ ±â¿©ÇÒ °ÍÀÌ´Ù.
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¿µ¾î±Ç µ¶ÀÚµéÀÌ ½±°Ô ÀÌÇØÇϱ⠾î·Á¿î ³ÇØÇÑ ¾îÈÖ, ÀÎÀ¯, ¿ª»çÀû »ç½Ç µîÀº °¢ÁÖ¸¦ ´Þ°í Çؼ³À» ºÙ¿´´Ù. óÀ½À¸·Î ¿µ¾î±Ç¿¡ ¼Ò°³µÇ´Â ¸¸Å ÇÔ²² ¼ö·ÏµÈ »ó¼¼ÇÑ ½ÃÀÎÀÇ ÀÛÇ°°ú ¿¬´ë±â´Â ÀÛ°¡¸¦ ÀÌÇØÇÏ´Â µ¥ ¸¹Àº µµ¿òÀÌ µÈ´Ù. ³ª¾Æ°¡ ¿øÀÛµµ ÇÔ²² ¼ö·ÏÇÏ°í Àֱ⿡ ÀÛÇ°À» ºñ±³ ¿¬±¸Çϴµ¥ ÇʼöÀûÀÎ ÀڷḦ Á¦°øÇÒ »Ó¸¸ ¾Æ´Ï¶ó ¿øÀÛ ¿¬±¸¸¦ ½ÉÈÇÏ´Â µ¥µµ µµ¿òÀÌ µÈ´Ù.
¸ñÂ÷
¸Ó¸®¸» Foreword
û»êÇà(1982)¿¡¼ from Lines Composed Written for the Blue Mountains
û»êÇà Lines Composed for the Blue Mountains
¿ùµ¿¿±¼ A Postcard for Wintering
ÀÌÇâ(×îúÁ) Leaving Hometown
ÃÊ·ÏÀ» º¸¸ç Looking at Green
¿¾³¯ÀÇ ±ÝÀܵð Old Golden Grass
°íÇâ Hometown
À̸¥ º½ Early Spring
ÀÛÀº ²É Little Flower
¿ì¼öÀÇ À̺ÒÀ» µ¤°í(1988)¿¡¼ from Covering with the Quilt of Melancholy
¿ì¼öÀÇ À̺ÒÀ» µ¤°í Covering with the Quilt of Melancholy
³» »ç¶ûÀº ÇØÁö´Â ¿µÅä¿¡(1989)¿¡¼ from My Love Is in the Realm Where the Sun Sets
ÁÁÀº ³¯ÀÌ ¿À¸é If a Fine Day Comes
Áö»ó¿¡¼ ºÎ¸£°í ½ÍÀº ³ë·¡(1993)¿¡¼ from Song That I Wish to Sing on Earth
Á¤½ÅÀÇ ¿´ë The Tropics of Spirit
¸è¶óÀÇ ±æ 1 The Way to the Milou 1
ºÒÇ൵ ´õ·¯ ÀÌ¿ôÀÌ µÇ¾î Even Infelicity Often Becomes a Neighbour
Áö»óÀÇ ±æ A Pathway on Earth
¾Æ¸§´Ù¿î »ç¶÷ A Living Soul of Beauty
¹° ±å´Â »ç¶÷ One Who Is Drawing Water
Áö»ó¿¡¼ ºÎ¸£°í ½ÍÀº ³ë·¡ 1 Song That I wish to Sing on Earth 1
º½¹ã Night in Springtime
ÇÞºµÀÌ µÇ¾ú°Å³ª ³ëÀ»ÀÌ µÇ¾ú°Å³ª
Whether It Was Either Sunlight or Sunglow
»ê±æ ¹°±æ A Mountain Pass, a Waterway
¶¥ À§ÀÇ À̸§À» »ç¶ûÇÏ³× I Love Names on Earth
¸¶Èç »ìÀÇ µ¿È A Fairy Tale at Forty
¼¼»ó ¼ÓÀ¸·Î Into the World
¿Çϸ¦ ÇâÇÏ¿©(1995)¿¡¼ from Towards Jehol
»ýÀÇ ³ë·¡ Song of Life
¿Çϸ¦ ÇâÇÏ¿© Towards Jehol
¼Ç³¿¡ ±â´ë¾î Standing Against the West Wind
¸¶À½ ¼Ó Ǫ¸¥ À̸§ The Blue Name in Mind
ÀÛÀº À̸§ Çϳª¶óµµ Even If a Little Name
À¯¸®ÀÇ ³ª³¯(1998)¿¡¼ from Days of Glass
À¯¸®, ³ë·¡ Glass, A Song
À¯¸®¿¡ ´ê´Â ±æ 1 A Pathway to Glass 1
À¯¸®ÀÇ ³ª³¯ 1 Days of Glass 1
À¯¸®ÀÇ ³ª³¯ 9¡ªºÎ¼®»ç¿¡¼ Days of Glass 9¡ªAt Buseoksa
À¯¸®¿¡ ¹¯´Â´Ù An Inquiry Is Made to Glass
³» ¾ÈÀÇ À¯¸® Glass inside Me
À¯¸®, ¸¶À» ¼®¸®¶ó´Â °÷ Glass, A Village¡ªThe Place Called Seok-ri
À¯¸®ÀÇ ±æ 3 A Pathway to Glass 3
³»°¡ ¸¸³ »ç¶÷Àº ¸ðµÎ ¾Æ¸§´Ù¿ü´Ù(2000)¿¡¼ from Those Whom I have Met Were All Beautiful
³»°¡ ¸¸³ »ç¶÷Àº ¸ðµÎ ¾Æ¸§´Ù¿ü´Ù Those Whom I have Met Were All Beautiful
Ç®ÀÙ Leaves of Grass
¾ðÁ¦ »îÀÌ À§±â ¾Æ´Ñ Àû ÀÖ¾ú´ø°¡ Hasn¡¯t There ever Been Life without a Crisis?
½Ã Poetry
µ¹¿¡ ´ëÇؼ Of a Stone
º°±îÁö´Â °¡¾ß ÇÑ´Ù Up to the Stars Must We Go
º¢²É ±×´Ã¿¡ ¾É¾Æ º¸·Å Sit down in the Shade of Cherry Blossoms, Please
º½±æ°ú µ¿ÇàÇÏ´Ù Accompanied by a Path in Springtime
°¡Àå µû¶æÇÑ Ã¥(2005)¿¡¼ from The Warmest Book
º°ÀÌ ¶ã ¶§ When Stars Twinkle
µû¶æÇÑ Ã¥ The Warm Book
¡º³ª¹«, ³ªÀÇ ¸ð±¹¾î(2012)¿¡¼ from The Tree, My Mother Tongue
°¡À»À̶ó´Â ¹°Áú A Material Called Autumn
°¡À» ¿ìü±¹ A Post Office in Autumn
²ÉµéÀÇ ÈÀå ½Ã°£(2014)¿¡¼ from At the Makeup Hour of Flowers
»ýÀº °úÀÏó·³ Àʹ´٠Life Ripens Like the Fruit
±×´ÃÀº ³ª¹«ÀÇ »ý°¢ÀÌ´Ù A Bower Is the Idea of a Tree
Èò ²É ¸¸Áö´Â ½Ã°£(2017)¿¡¼ from Time for Fondling the White Flower
½Ã°£ Time
½ÃÀÎÀÌ °È´Â ±æÀÌ °¡Àå ¾Æ¸§´Ù¿î ±æÀÌ µÇ¾úÀ¸¸é ÁÁ°Ú´Ù
I Wish the Poet¡¯s Path to Be a Fairest One
¸ð¸£´Â »ç¶÷ÀÇ ¼ÕÀÌ ´õ µû¶æÇϸ®¶ó
Hands of a Stranger Will Be Warmer
½º¹« ¹ø°ÀÇ º° À̸§ Name of the Twentieth Star
Èò Á¾ÀÌ À§¿¡ On the White Paper
¸ñ¹éÀÏÈ« ¿¾Áý Old House with Crape-myrtle
³ª¹«¸¦ ´¯È÷´Â ¹æ¹ý A Way of Laying a Tree Down
ä¼ÛÈ ¼öø A Jotter for Rose Moss
¹Ì¼ö·Ï ½ÃÆí from Uncollected Poems
±Ù½ÉÀ» ÁöÆì ¹äÀ» Áþ´Â´Ù Cooking Rice by Burning Anxiety as Firewood
¾Æħ ¾ð¾î Words at Morn
»õ¶Ë Bird¡¯s Droppings
¿¬º¸ Life and Works of Kee-Chul Lee
About the Translator
º»¹®Áß¿¡¼
As long as my writing goes along up to the end of my life, I will never stop thinking that
the journey of my career is to make poetic lyricism blossoming. Believing that lyrics should take off old clothes and put on new ones, I have composed my poems. ¡°The new clothes of lyrics¡±- that is nothing but to revive a poetic dignity by imbedding a shard of truth from life into a poem, I believe, while avoiding a groundless agony, the exposure of trite sentimentalism, whining and the dismal words of love.
¿À·¡¶ó¸é ¿À·¡ÀÎ ³ªÀÇ ½ÃÀÇ ±æÀº ³»°¡ »ý¾Ö¸¦ ´ÙÇÏ´Â ³¯±îÁö Áö¼ÓµÇ°ÚÁö¸¸, ³ª´Â ³» ½ÃÀÇ µµÁ¤ÀÌ <¼Á¤À» ²É ÇÇ¿ì´Â ±æ>À̶ó´Â »ý°¢¿¡¼ ¹þ¾î³ ÀÏÀÌ ¾ø´Ù. ±×·¯³ª ³ª´Â ³ªÀÇ <¼Á¤½Ã>°¡ ¿¾³¯ ¿ÊÀ» ¹þ°í »õ ¿ÊÀ» °¥¾ÆÀÔ¾î¾ß ÇÑ´Ù°í »ý°¢ÇÏ¸é¼ ½Ã¸¦ ½á¿Ô´Ù. <¼Á¤½ÃÀÇ »õ ¿Ê>, ±×°ÍÀº ±î´ß ¾ø´Â ºñź, °ª½Ñ °¨»ó(Êïß¿)ÀÇ ³ëÃâ, ´ë»óÀÌ ¾ø´Â Çϼҿ¬, Áú ³·Àº »ç¶ûÀÇ ¾îÈÖµéÀÇ ³²¿ëÀ» ±Ý±â·Î ÇÏ°í »îÀÇ Áø½ÇÀÌ ´ã±ä Ç°°Ý ÀÖ´Â ½ÃÀÇ À§ÀÇ(êÎëð)¸¦ »ì¸®´Â ±æÀ̶ó ¹Ï´Â´Ù.
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