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Blind Willow, Sleeping Woman

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    ÃâÆÇ»ç ¼­Æò

    A young man accompanies his cousin to the hospital to check an unusual hearing complaint and recalls a story of a woman put to sleep by tiny flies crawling inside her ear; a mirror appears out of nowhere and a nightwatchman is unnerved as his reflection tries to take control of him; a couple's relationship is unbalanced after dining exclusively on exquisite crab while on holiday; a man follows instructions on the back of a postcard to apply for a job, but an unknown password stands between him and his mysterious employer. In each one of these stories, Murakami sidesteps the real and sprints for the surreal. Everyday events are transcended, leaving the reader dazzled by this master of his craft. "Blind Willow, Sleeping Woman" is Murakami's most eclectic collection of stories to date, spanning five years of his writing. An introduction explains the diversity of the author's choice.

    ¸ñÂ÷

    - Blind Willow, Sleeping Woman Harper's 1995
    - Birthday Girl Harper's and Birthday Stories 2002
    - New York Mining Disaster 1980 / 1981
    - Aeroplane:Or, How He Talked to Himself as If Reciting Poetry The New Yorker
    - The Mirror 1981 / 1982
    - A Folklore for My Generation: A Prehistory of Late-Stage Capitalism The New Yorker 1989
    - Hunting Knife The New Yorker 1984
    - A Perfect Day for Kangaroos 1981 / 1982
    - Dabchick McSweeney's Quarterly Concern 1981 / 1982
    - Man-Eating Cats The New Yorker 1991
    - A 'Poor Aunt' Story The New Yorker 1980 / 1981
    - Nausea 1979 1984
    - The Seventh Man Granta 1996
    - The Year of Spaghetti The New Yorker 1981 / 1982
    - Tony Takitani The New Yorker 1990
    - The Rise and Fall of Sharpie Cakes 1981 / 1982
    - The Ice Man The New Yorker 1991
    - Crabs Storie #50 2003
    - Firefly Extract from Norwegian Wood 1983
    - Chance Traveller Harper's 2005
    - Hanalei Bay 2005
    - Where I'm Likely to Find It The New Yorker 2005
    - The Kidney-Shaped Stone That Moves Every Day 2005
    - A Shinagawa Monkey The New Yorker 2005

    Ã¥¼Ò°³

    Following the best-selling triumph of Kafka on the Shore, comes a collection that generously expresses Murakami's mastery. From the surreal to the mundane, these stories exhibit his ability to transform the full range of human experience in ways that are instructive, surprising, and relentlessly entertaining. As Richard Eder has written in the Los Angeles Times Book Review, "He addresses the fantastic and the natural, each with the same mix of gravity and lightness.

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