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THE CATCHER IN THE RYE

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AD

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Introduction 7
Biographical Sketch 9
The Story Behind the Story 16
List of Characters 21
Summary and Analysis 25
Critical Views 43
Carl F. Strauch on The Complexity of Holden's Character 43
Robert M. Slabey on Christian Themes and Symbols 47
Jonathan Baumbach on Spirituality 50
John M. Howell on T.S. Eliot's Influence 54
Warren French on Holden's Search for Tranquility 60
Duane Edwards on Holden as the Unreliable Narrator 64
Gerald Rosen on the Relevance of Buddhism 69
Edwin Haviland Miller on Mourning Allie Caulfield 74
Christopher Brookeman on Cultural Codes at Pencey Prep 78
Sanford Pinsker on the Protagonist-Narrator 82
Paul Alexander on Inventing Holden Caulfield 86
Pamela Hunt Steinle on Holden as a Version of the American Adam 89
Matt Evertson on Holden Caulfield's Longing to Construct a New Home 94
Yasuhiro Takeuchi on the Carnivalesque 99
Works by J.D. Salinger 106
Annotated Bibliography 107
Contributors 117
Acknowledgments 120
Index 123
Read an Excerpt

º»¹®Áß¿¡¼­

Chapter 1


IF YOU REALLY WANT TO HEAR about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them. They're quite touchy about anything like that, especially my father. They're nice and alloI'm not saying that?but they're also touchy as hell. Besides, I'm not going to tell you my whole goddam autobiography or anything. I'll just tell you about this madman stuff that happened to me around last Christmas just before I got pretty run-down and had to come out here and take it easy. I mean that's all I told D.B. about, and he's my brother and all. He's in Hollywood. That isn't too far from this crumby place, and he comes over and visits me practically every week end. He's going to drive me home when I go home next month maybe. He just got a Jaguar. One of those lithe English jobs that can do around two hundred miles an hour. It cost him damn near four thousand bucks. He's got a lot of dough, now. He didn't use to. He used to be just a regular writer, when he was home. He wrote this terrific book of short stories, The Secret Goldfish, in case you never heard of him. The best one in it was "The Secret Goldfish." It was about this little kid that wouldn't let anybody look at his goldfish because he'd bought it with his own money. It killed me. Now he's out in Hollywood, D.B., being a prostitute. If there's one thing I hate, it's the movies. Don't even mention them to me.

Where I want to start telling is the day I left Pencey Prep. Pencey Prep is this school that's in Agerstown, Pennsylvania. You probably heard of it. You've probably seen the ads, anyway. They advertise in about a thousand magazines, always showing some hot-shot guy on a horse jumping over a fence. Like as if all you ever did at Pencey was play polo all the time. I never even once saw a horse anywhere near the place. And underneath the guy on the horse's picture, it always says: "Since 1888 we have been molding boys into splendid, clear-thinking young men." Strictly for the birds. They don't do any damn more molding at Pencey than they do at any other school. And I didn't know anybody there that was splendid and clear-thinking and all. Maybe two guys. If that many. And they probably came to Pencey that way.

Anyway, it was the Saturday of the football game with Saxon Hall. The game with Saxon Hall was supposed to be a very big deal around Pencey. It was the last game of the year, and you were supposed to commit suicide or something if old Pencey didn't win. I remember around three o'clock that afternoon I was standing way the hell up on top of Thomsen Hill, right next to this crazy cannon that was in the Revolutionary War and all. You could see the whole field from there, and you could see the two teams bashing each other all over the place. You couldn't see the grandstand too hot, but you could hear them all yelling, deep and terrific on the Pencey side, because practically the whole school except me was there, and scrawny and faggy on the Saxon Hall side, because the visiting team hardly ever brought many people with them.

There were never many girls at all at the football games. Only seniors were allowed to bring girls with them. It was a terrible school, no matter how you looked at it.......

Ã¥¼Ò°³

¹°ÁúÀû °¡Ä¡¸¸ ³»¼¼¿ì´Â ¼¼»óÀÇ ºñÀΰ£¼º¿¡ ¿°ÁõÀ» ´À³¢¸ç ¹Ý¹ßÇÏ´Â ÁÖÀΰø Ȧµç. ¼øÁøÇÔ°ú ¿¹¸®ÇÑ ÅëÂû·ÂÀ¸·Î ÀλýÀÇ Ãæ°Ý°ú À¯È¤¿¡ ¸Â¼­ °¡ÃâÀ» °á½ÉÇÏÁö¸¸ ¶æ¹ÛÀÇ Çö½Ç¿¡ ºÎµúÄ¡´Âµ¥. »çÃá±â û¼Ò³âÀÌ »çȸ¿Í °¡Á¤¿¡ ´ëÇØ ´À³¢°í ÀÖ´Â ½É¸®¸¦ Àß Ç¥ÇöÇÑ ÀÛÇ°.

The highly successful Catcher is J. D. Salinger's only published novel. It is narrated by seventeen-year-old Holden Caulfield, a schoolboy in rebellion against the dubious values of the adult world.

In 1949, recovering in a California sanitorium, Holden relates events that occurred during three December days in 1948--when he was sixteen. Within this part of the story, Holden frequently flashes back to experiences and people from earlier in his life.

Much like Mark Twain's Huckleberry Finn, Catcher could be described as an American Bildungsroman: a picaresque novel that illustrates the moral development and attitudes of its nonconformist protagonist

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