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Night : A New Translation by Marion Wiesel; With a New Preface by the Author

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ÃâÆÇ»ç ¼­Æò

A New Translation From The French By Marion Wiesel

Night is Elie Wiesel¡¯s masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps. This new translation by Marion Wiesel, Elie¡¯s wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author¡¯s original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man¡¯s capacity for inhumanity to man.

Night offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.

º»¹®Áß¿¡¼­

EXCERPT

Preface to the New Translation

by Elie Wiesel

IF IN MY LIFETIME I WAS TO WRITE only one book, this would be the one. Just as the past lingers in the present, all my writings after Night, including those that deal with biblical, Talmudic, or Hasidic themes, profoundly bear its stamp, and cannot be understood if one has not read this very first of my works.

Why did I write it?

Did I write it so as not to go mad or, on the contrary, to go mad in order to understand the nature of madness, the immense, terrifying madness that had erupted in history and in the conscience of mankind?

Was it to leave behind a legacy of words, of memories, to help prevent history from repeating itself?

Or was it simply to preserve a record of the ordeal I endured as an adolescent, at an age when one¡¯s knowledge of death and evil should be limited to what one discovers in literature?

There are those who tell me that I survived in order to write this text. I am not convinced. I don¡¯t know how I survived; I was weak, rather shy; I did nothing to save myself. A miracle? Certainly not. If heaven could or would perform a miracle for me, why not for others more deserving than myself? It was nothing more than chance. However, having survived, I needed to give some meaning to my survival. Was it to protect that meaning that I set to paper an experience in which nothing made any sense?

In retrospect I must confess that I do not know, or no longer know, what I wanted to achieve with my words. I only know that without this testimony, my life as a writer?or my life, period?would not have become what it is: that of a witness who believes he has a moral obligation to try to prevent the enemy from enjoying one last victory by allowing his crimes to be erased from human memory.

For today, thanks to recently discovered documents, the evidence shows that in the early days of their accession to power, the Nazis in Germany set out to build a society in which there simply would be no room for Jews. Toward the end of their reign, their goal changed: they decided to leave behind a world in ruins in which Jews would seem never to have existed. That is why everywhere in Russia, in the Ukraine, and in Lithuania, the Einsatzgruppen carried out the Final Solution by turning their machine guns on more than a million Jews, men, women, and children, and throwing them into huge mass graves, dug just moments before by the victims themselves. Special units would then disinter the corpses and burn them. Thus, for the first time in history, Jews were not only killed twice but denied burial in a cemetery.

It is obvious that the war which Hitler and his accomplices waged was a war not only against Jewish men, women, and children, but also against Jewish religion, Jewish culture, Jewish tradition, therefore Jewish memory. ......

Ã¥¼Ò°³

*NEWS ALERT - Elie Wiesel, Auschwitz Survivor and Nobel Peace Prize Winner, Dies at 87*


A New Translation From The French By Marion Wiesel

Night is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps. This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man.

Night offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.

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Wiesel, Marion [Àú] ½ÅÀ۾˸² SMS½Åû
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