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Section 1 Foundation (±âÃÊÆí)
Chapter 1 ¼Ò¸®¶õ? (What is Sound ?)
Chapter 2 - Basic Foundation (±âÃÊ ¾ÇÀü)
Chapter 3 - Form within the Music
Chapter 4 - À帣, ƪ, ½ºÅ¸ÀÏ (Genre, Tune , Style)
Chapter 5 - ŸÀÓ Å×À̺í (Basic Time Table)
Section 2 Diatonic Sound (񃧯 Sound)
Chapter 6 - ½ºÄÉÀÏ & À½ (Scale & Note)
Chapter 7 - Á¶Ç¥ (Key Signature)
Chapter 8 - ¼Ò¸®ÀÇ ±¸Á¶ (Structure of Sound)
Chapter 9 - ÄÚµåÀÇ ±¸Á¶¿Í ±â´É (Chord Structure & Function)
Chapter 10 - ÄÚµå Ç¥±â¹ý (Chord Notation)
Chapter 11 - ´ÙÀ̾ÆÅä´Ð À½ & ÄÚµå(Diatonic note & Chord)
Chapter 12 - ÄÚµå ÁøÇà (Chord Progression)
Chapter 13 - µµ¹Ì³ÍÆ® ¼¼ºì½º ÄÚµå¿Í ÇØ°á (Dominant 7th Chord & Resolution)
Chapter 14 - 5µµ±Ç (Circle of Fifth)
Chapter 15 - ÄÉÀÌ´ø½º (Cadence)
Chapter 16 - µµ¹Ì³ÍÆ® ¼¼ºì½º ÄÚµå¿Í ¿¬°üIIm (Dominant 7th Chord & Related IIm)
Chapter 17 - ¸ñÇ¥ ÄÚµå¿Í ÅÏ ¾î¶ó¿îµå (Target Chord & Turn Around)
Chapter 18 - ¸á·Îµð¿Í ÄÚµåÁøÇà ¿¬°ü¼º (Melody Phrase & Chord Progression)
Chapter 19 - ¸á·Îµð ¾È¿¡¼ÀÇ À½ (note in Melody)
Chapter 20 - ¼öÆòÀûÀÎ °üÁ¡¿¡¼ÀÇ À½ (Horizontal note)
Chapter 21 - ¼öÁ÷ÀûÀÎ °üÁ¡¿¡¼ÀÇ À½ (Vertical note)
Chapter 22 - ÄÚµå ½ºÄÉÀÏ (Chord Scale)
Section 3 Sound Extension (»ç¿îµåÀÇ È®Àå)
Chapter 23 - ¸ðµå (Musical Mode)
Chapter 24 - Çdz¯¸®½º & ÄÜÇdz¯¸®½º (Finalis Tone & Confinalis Tone)
Chapter 25 - Characteristic note
Chapter 26 - Related Key
Chapter 27 - ÄÚµå ÆäÀÌÅ© (Chord Fake)
Chapter 28 - ÄÚµå »öä°¨°ú ¾ÈÁ¤µµ (Chord Color & Stability)
Chapter 29 - ÄÚµå Ä÷¸®Æ¼ & »ç¿îµå Ä÷¸®Æ¼ (Chord Quality & Sound Quality)
Chapter 30 - ¸¶ÀÌ³Ê ½ºÄÉÀÏ°ú ÄÚµå (Minor Scale & Chords)
Chapter 31- ¼¼ÄÁ´õ¸® µµ¹Ì³ÍÆ® ¼¼ºì½º ÄÚµå (Secondary Dom. 7th Chord)
Chapter 32 - Related IIm of Secondary Dominant 7th Chord
Chapter 33 - ÀͽºÅÙµðµå µµ¹Ì³ÍÆ® ¼¼ºì½º ÄÚµå (Extended Dom. 7th Chord)
Chapter 34 - ¼·½ºÆ¼Æ©Æ® µµ¹Ì³ÍÆ® ¼¼ºì½º ÄÚµå (Substitute Dom. 7th Chord)
Section 4 More Scale & Thinking Point
Chapter 35 - ºí·ç½º (Blues Scale & Music)
Chapter 36 - ºñ¹ä (Bebop Scale & Music)
Chapter 37 - Å×Æ®¶ó ÄÚµå (Tetrachord & Scale)
Chapter 38 - Dom. 7th Chord & Expected Sound
Section 5 Case by Case
Chapter 39 - Ŭ¸®¼Î (Cliches)
Chapter 40 - Contiguous Pattern
Chapter 41 - µð¹Ì´Ï½¬µå ÄÚµå (Diminished 7th Chord)
Chapter 42 - Special Function Chord
Chapter 43 - ÀüÁ¶ (Modulation)
Chapter 44 - # IVm7(b5)
Chapter 45 - ¸ð´Þ ÀÎÅÍüÀÎÁö (Modal Interchange)
Chapter 46 - Æä´Þ Æ÷ÀÎÆ® (Pedal Point)
Chapter 47 - Compound Chord
Chapter 48 - ÄÚµå º¸ÀÌ½Ì ±âÃÊ (Chord Voicing Intro)
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