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¡º20¼¼±â ¹Ì±¹¼Ò¼³¿¡ ³ªÅ¸³ À§¹ÝÀÇ °ø°£Àû »ó»ó·Â(Transgressive Spatial Imagination in the 20th-Century American Novel)¡»Àº 20¼¼±â ¹Ì±¹¼Ò¼³ Àб⸦ ÅëÇØ °ø°£À» Á¡À¯ÇÏ°í ±¸È¹ÇÏ¸ç °æ°è¸¦ Áþ´Â ½Ãµµ¿Í ±×·¸°Ô ¸¸µé¾îÁø °ø°£ÀÇ ¾ÈÁ¤¼ºÀ» ±³¶õÇÏ´Â ¡®À§¹ÝÀÇ¡¯ »ó»ó·ÂÀÌ Ãæµ¹ÇÏ´Â ´Ù¾çÇÑ ÁöÁ¡À» °ËÅäÇÏ°í ÀÖ´Ù. À̵¿°ú Á¤Âø, »óÀÌÇÑ ¿ª»çÀû À¯»ê°ú °¡Ä¡ÀÇ Ãæµ¹, Á¤º¹°ú ÆØâÀÇ ¿ª»ç´Â ¹Ì±¹Àû Á¤Ã¼¼ºÀÌ ±¤È°ÇÑ Áö¸®Àû Á¶°ÇÀ» ¹è°æÀ¸·Î ÆîÃÄÁø °ø°£Àû Ž»öÀÇ °á°ú¹°À̾úÀ½À» Áõ¸íÇÑ´Ù. µ¿½Ã¿¡ ±×°ÍÀº »Ñ¸®¸¦ ³»¸®·Á´Â ÀÚµé°ú »Ñ¸® »ÌÇô ´Ù½Ã ±æ À§·Î ³»¸ô¸®´Â ÀÚµéÀÇ ¿å¸ÁÀÌ ´Ù¾çÇÑ ¹æ½ÄÀ¸·Î ¾î±ß³ª°í ±³Â÷ÇÏ´Â ¿ªµ¿ÀûÀÎ µå¶ó¸¶À̱⵵ ÇÏ´Ù. ±×·¸±â¿¡ °ø°£À» µÑ·¯½Ñ ¼·Î ´Ù¸¥ ¿å¸ÁÀÌ Ãæµ¹ÇÏ°í ´Ù¸¥ »ó»ó·ÂÀÌ Ãßµ¿µÇ´Â ¹æ½ÄÀ» ÀÌÇØÇÏ´Â °ÍÀº ¹Ì±¹¹®ÈÀÇ ¿øÇüÁúÀÌ ¹«¾ùÀΰ¡¶ó´Â Áö³ÇÑ Áú¹®ÀÇ Çٽɿ¡ ´Ù°¡¼´Â ±æÀ̱⵵ ÇÑ´Ù. ÀÌ Ã¥Àº ¹Ì±¹ÀÇ ³²ºÎ¿Í ¹èŸÀû ÈæÀÎ ¸¶À»ÀÌ À§Ä¡ÇÑ Áß¼ºÎ¸¦ °æÀ¯ÇØ µ¿ºÎÀÇ ´ëµµ½Ã¿Í ±³¿Ü°ø°£ ±×¸®°í ¼ºÎÇؾÈÀÇ ÀϺ»°è ¹Ì±¹ÀÎ °øµ¿Ã¼¸¦ °¡·ÎÁö¸£¸ç ¼ÒÀ¯¿Í ¼Ò¼Ó, ¹ÚÅ»°ú ¹èôÀÇ ¿ª»ç°¡ °øÁ¸ÇÏ´Â ¹Ì±¹¹®ÈÀÇ Ç³°æÀ» ¼û °¡»Ú°Ô Åë°úÇÑ´Ù.
ÃâÆÇ»ç ¼Æò
1ÀåÀº ¡®°ø°£Àû ¼±È¸¡¯°¡ Àι®»çȸÇÐ ºÐ¾ß Àü¹Ý¿¡ °¡Á®¿Â ÀÌ·ÐÀû ÆÄÀåÀ» °ËÅäÇÏ¸é¼ ÀÌ°ÍÀÌ ¹®Çבּ¸¿¡ ´øÁö´Â ¹®Á¦ÀǽÄÀ» ³íÀÇÇÑ´Ù. °ø°£ÀÇ ¹®ÇÐÀû ÀçÇöÀÌ ÇÔÀÇÇÏ´Â »õ·Î¿î °¡´É¼ºÀ» °ËÅäÇϸé¼, ¾î¶»°Ô ±×°ÍÀÌ °ø°£ÀÇ ÀÌÇظ¦ µÑ·¯½Ñ Çö½Ç?»ó»ó, ¹°Áú-Ãß»ó°ú °°Àº À̺йýÀû ÇѰ踦 µ¹ÆÄÇÒ ¼ö ÀÖ´ÂÁö ³íÀÇÇÑ´Ù.
2ÀåÀº Åä´Ï ¸ð¸®½¼(Toni Morrison)ÀÇ ¼Ò¼³, ƯÈ÷ ¡ºÆĶó´ÙÀ̽º¡»¸¦ Áß½ÉÀ¸·Î ÀÎÁ¾Àû ¹èŸ¼º¿¡ ±â¹ÝÀ» µÐ À¯ÅäÇǾÆÀû Ã浿ÀÌ ¾î¶»°Ô ÀÚ±â¸ð¼øÀ» ¹èÅÂÇÏ´ÂÁö ºÐ¼®ÇÏ°í ÀÖ´Ù. ÀÎÁ¾Àû Â÷º°À» ¶Ç ´Ù¸¥ Â÷º°À» ÅëÇØ ±Øº¹ÇÏ·Á´Â ½ÃµµÀÇ ¹Ì¸Á, ±×¸®°í ±× °úÁ¤¿¡¼ ÀÌ¹Ì ¹èô¹Þ°í ¹ö¸²¹ÞÀº ÀÚµéÀ» ¶Ç ´Ù½Ã ¼Ò¿Ü½ÃÅ°´Â ¸ð¼øÀº ÀÎÁ¾Àû ¼ø¼ö¼º°ú °°Àº º»ÁúÁÖÀǷκÎÅÍ Ãâ¹ßÇÑ ÀÌ»óÇâÀÇ Ãß±¸°¡ °¡Áö´Â ÇѰ踦 º¸¿©ÁØ´Ù.
3ÀåÀº Àª¸®¾ö Æ÷Å©³Ê(William Faulkner)ÀÇ ¼Ò¼³À» Áß½ÉÀ¸·Î ¹Ì±¹ ³²ºÎ·Î ÁöĪµÇ´Â ¹èŸÀû Áö¿ª¼ºÀÌ »ç½ÇÀº ³²ºÎ ÀÚü¸¦ ³Ñ¾î¼´Â ´Ù¾çÇÑ ¿ª»ç¹®ÈÀû ±³Â÷¿Í ¹®ÈÀû È¥Á¾À¸·Î ÀÌ·ç¾îÁø °ÍÀÓÀ» ¹àÈù´Ù. ½Ä¹ÎÁö ½Ã´ë, ±¹¹Î±¹°¡ÀÇ Çü¼º°ú ÆØâ, ±×¸®°í ³ë¿¹Á¦¶ó´Â ¿ª»çÀû À¯»êÀ» ¸Å°³·Î Áß³²¹Ì¸¦ °æÀ¯ÇÏ´Â ³²ºÎÀÇ ¿ª»ç´Â ³²ºÎÀÇ ¹®ÈÀû Á¤Ã¼¼ºÀÌ »ç½ÇÀº ¼ø¼öÇ÷ÅëÀ¸·Î ´ëÇ¥µÇ´Â ±â¿ø¿¡ ´ëÇÑ ºÎÁú¾ø´Â ÁýÂøÀÌ ¾Æ´Ï¶ó ³²ºÎÀÇ °æ°è ¹Ù±ù°ú Á¶¿ìÇÏ¸ç ¸¸µé¾î³½ dz°æÀÓÀ» Àϱú¿öÁØ´Ù. ±×·¸±â¿¡ ¸Å¿ì ¿ª¼³ÀûÀÌ°Ôµµ Æ÷Å©³Ê ¹®ÇÐÀÇ ³²ºÎÀû ¼º°ÝÀº ±×°ÍÀÇ Å»³²ºÎÀûÀÎ ¼º°ÝÀÌ µå·¯³¯ ¶§ °¡Àå ¼±¸íÇØÁö´Â °ÍÀ̱⵵ ÇÏ´Ù.
4ÀåÀº ¾Æ½Ã¾Æ°è ¹Ì±¹¼Ò¼³, ƯÈ÷ ÀÌâ·¡(Chang-Rae Lee)¿Í Á¸ ¿ÀÄ«´Ù(John Okada)ÀÇ ¼Ò¼³À» Áß½ÉÀ¸·Î À̹ÎÀÚµé°ú ÀÎÁ¾Àû ŸÀÚµéÀÇ ¹éÀÎ Áß»êÃþ ¹®È¸¦ ´ëÇ¥ÇÏ´Â ±³¿Ü°ø°£À¸·ÎÀÇ ÀÌÁÖ°¡ ÇÔÀÇÇÏ´Â ÀÌÁß¼ºÀ» °ËÅäÇÑ´Ù. Â÷À̳ªÅ¸¿îÀ¸·Î ´ëÇ¥µÇ´Â Æó¼âÀûÀÎ ¼Ò¼öÀÎÁ¾ °øµ¿Ã¼ °ø°£À» ¹þ¾î³ª ±³¿Ü°ø°£ÀÇ »îÀ¸·Î ÆíÀԵǴ °ÍÀº »çȸÀû ¼º°ø°ú ÁÖ·ù»çȸ·ÎÀÇ ¾ÈÂøÀ» ÀǹÌÇÏÁö¸¸, ÀÌ°ÍÀº µ¿½Ã¿¡ »çȸÀû ¼øÀÀ°ú ¹®ÈÀû »Ñ¸® »ÌÈûÀÇ °æÇèÀÇ °è±â°¡ µÇ±âµµ ÇÑ´Ù. ¶ÇÇÑ À̹ÎÀÚµéÀÇ À̵¿ÀÌ µ¿¹ÝÇÏ´Â Ãʱ¹°¡ÀûÀÎ ¿ª»çÀû µ¿·ÂÀº ¹®ÈÀû µ¿Áú¼º°ú ¾ÈÁ¤¼ºÀ¸·Î ´ëÇ¥µÇ´Â ÀüÅëÀû ¹Ì±¹ ±³¿Ü¹®È¿¡ »õ·Î¿î º¯È¿Í °¥µîÀ» °¡Á®¿Â´Ù.
¸ñÂ÷
Acknowledgments
Chapter 1
Rethinking Space, Representing Space
Why Space?
Space of Representation, Representation of Space
Being Spatial, Being Transgressive
Chapter 2
Home for the Outdoored in Toni Morrison¡¯s Paradise
Being Put Out, Being Put Outdoors
Place of Memory, Memory of Place
The Other Side of a Black Utopia
Home of Theory, Theory of Home
¡°The Mutiny of Mares¡±: Black Utopia as a Gendered Space
¡°A Real Earthly Home¡±
Chapter 3
Taking Geographical Detours in William Faulkner¡¯s Light in August
¡°New¡± Faulkner, New ¡°Faulkner¡±
Critical Detours: Locating Faulkner in Southern Studies
¡°Doomed with Movement¡±
The Burdens Burdened by History
History Entrapped in Circles
Chapter 4
When Asian Americans Go the Suburbs
When Immigrant Narratives Meet the U.S. Suburbs
Third Worldizing the U.S. Suburbs and Asian American Studies
A Geography of Somewhere, a Geography of Nowhere
Place of Gesture, Gesture of Place
Can the Spy/Suburbanite Speak?
¡°Come Almost Home¡±
Bibliography
Index
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