°£Æí°áÁ¦, ½Å¿ëÄ«µå û±¸ÇÒÀÎ
ÀÎÅÍÆÄÅ© ·Ôµ¥Ä«µå 5% (29,880¿ø)
(ÃÖ´ëÇÒÀÎ 10¸¸¿ø / Àü¿ù½ÇÀû 40¸¸¿ø)
ºÏÇǴϾð ·Ôµ¥Ä«µå 30% (22,020¿ø)
(ÃÖ´ëÇÒÀÎ 3¸¸¿ø / 3¸¸¿ø ÀÌ»ó °áÁ¦)
NH¼îÇÎ&ÀÎÅÍÆÄÅ©Ä«µå 20% (25,160¿ø)
(ÃÖ´ëÇÒÀÎ 4¸¸¿ø / 2¸¸¿ø ÀÌ»ó °áÁ¦)
Close

Michelangelo : The Complete Paintings, Sculptures and Architecture[¾çÀå]

¼Òµæ°øÁ¦

2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.

°øÀ¯Çϱâ
Á¤°¡

37,000¿ø

  • 31,450¿ø (15%ÇÒÀÎ)

    950P (3%Àû¸³)

ÇÒÀÎÇýÅÃ
Àû¸³ÇýÅÃ
  • S-Point Àû¸³Àº ¸¶ÀÌÆäÀÌÁö¿¡¼­ Á÷Á¢ ±¸¸ÅÈ®Á¤ÇϽŠ°æ¿ì¸¸ Àû¸³ µË´Ï´Ù.
Ãß°¡ÇýÅÃ
¹è¼ÛÁ¤º¸
  • 4/26(±Ý) À̳» ¹ß¼Û ¿¹Á¤  (¼­¿ï½Ã °­³²±¸ »ï¼º·Î 512)
  • ¹«·á¹è¼Û
ÁÖ¹®¼ö·®
°¨¼Ò Áõ°¡
  • À̺¥Æ®/±âȹÀü

  • ¿¬°üµµ¼­

  • »óÇ°±Ç

AD

¸ñÂ÷

Ã¥¼Ò°³

Il divino
Meet the Renaissance master

Before reaching the tender age of 30, Michelangelo Buonarroti (1475?1564) had already sculpted Pieta and David, two of the most famous sculptures in the entire history of art. As a sculptor, painter, draftsman, and architect, the achievements of this Italian master are unique?no artist before or after him has ever produced such a vast, multifaceted, and wide-ranging oeuvre.

This fresh TASCHEN edition traces Michelangelo¡¯s ascent to the cultural elite of the Renaissance. Ten richly illustrated chapters cover the artist¡¯s paintings, sculptures, buildings, and drawings, including a close analysis of the artist¡¯s tour de force frescoes in the Sistine Chapel. Full-page reproductions and enlarged details allow readers to appreciate the finest details in the artist¡¯s repertoire, while the book¡¯s biographical essay considers Michelangelo¡¯s more personal traits and circumstances, such as his solitary nature, his thirst for money and commissions, his immense wealth, and his skill as a property investor.

About the series:
Bibliotheca Universalis? Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!
Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.
Bookworm¡¯s delight ? never bore, always excite!

½Å¼ºÇÔ


¹ÌÄ̶õÁ©·ÎÀÇ ÀÛÇ°µé¿¡ ´ëÇÑ ¿µ±¤½º·¯¿î Ž±¸

Before reaching the tender age of 30, Michelangelo Buonarroti (1475?1564) had already sculpted Piet? and David, two of the most famous sculptures in the entire history of art. As a sculptor, painter, draftsman, and architect, the achievements of this Italian master are unique?no artist before or after him has ever produced such a vast, multifaceted, and wide-ranging ©«uvre.

This fresh TASCHEN edition traces Michelangelo¡¯s ascent to the cultural elite of the Renaissance. Ten richly illustrated chapters cover the artist¡¯s paintings, sculptures, and architecture, including a close analysis of the artist¡¯s tour de force frescoes in the Sistine Chapel.Full-page reproductions and enlarged details allow readers to appreciate the finest details in the artist¡¯s repertoire, while the book¡¯s biographical essay considers Michelangelo¡¯s more personal traits and circumstances, such as his solitary nature, his thirst for money and commissions, his immense wealth, and his skill as a property investor.


¡ºTaschen Compact¡» ½Ã¸®ÁîÀÇ Æ¯Â¡

ÇÕ¸®ÀûÀÎ °¡°ÝÀ¸·Î ´Ù¹æ¸éÀÇ ÁÖÁ¦¸¦ ¾Æ¿ì¸£´Â ¹®È­Àû µ¿¹ÝÀÚÀÎ TASCHEN Compact ½Ã¸®Á
1980³â ¹®È­ °í°íÇÐÀÚµé°ú ÇÔ²² ÀÛ¾÷Çϱ⠽ÃÀÛÇÑ ÀÌ·¡·Î, TASCHEN ºê·£µå´Â Á¢±Ù °¡´ÉÇÑ, ¿­¸° ½Ã°¢ÀÇ ÃâÆÇÀ» ÁöÇâÇÏ°í ÀÖ´Ù. Bibliotheca Universalis ½Ã¸®Áî´Â ¾à 100°¡ÁöÀÇ ÀÌ ½Ã´ë °¡Àå »ç¶û¹Þ´Â ŸÀÌƲ·Î ±ò²ûÇÑ ÆÇÇüÀ» °®Ãß°í ÀÖ¾î ¹Ì¼ú, ÀηùÇаú ¼º¿¡ °ü·ÃÇÑ ´ç½Å¸¸ÀÇ ¼ÒÁßÇÑ ¼­À縦 ¸¸µé ¼ö ÀÖ´Ù.

°áÄÚ Áö·çÇÏÁö ¾ÊÀ¸¸ç ¾ðÁ¦³ª Áñ°Å¿î, µ¶¼­¸¦ ÁÁ¾ÆÇÏ´Â À̵鿡°Ô ±â»ÝÀÌ µÉ °ÍÀÌ´Ù!

ÀúÀÚ¼Ò°³

ÇÁ¶ûÅ© ÁÍ³Ê [Àú] ½ÅÀ۾˸² SMS½Åû
»ý³â¿ùÀÏ -

Áß¼¼¿Í ¸£³×»ó½º ½Ã´ë(1987)ÀÇ ¿¹¼ú°ú °ÇÃà»ç¿¡¼­ ¡®°í´ë¡¯¸¦ ÁÖÁ¦·Î ¹Ú»ç ÇÐÀ§ ³í¹®À» ½è´Ù. 2010³â ·¹¿À³ª¸£µµ ´Ù ºóÄ¡ÀÇ ¿¹¼ú¿¡¼­ º¸ÀÌ´Â ¿òÁ÷ÀÓ°ú Ç¥Çö¿¡ °üÇÑ ¹Ú»ç ³í¹®À» ¹ßÇ¥ÇßÀ¸¸ç, ¸£³×»ó½º ¹Ì¼ú°ú ¹Ì¼ú ÀÌ·Ð, 20¼¼±â ¿¹¼ú¿¡ °üÇÏ¿© ¼ö¸¹Àº ÀÛÇ°À» ÃâÆÇÇß´Ù. 1996³âºÎÅÍ´Â ¶óÀÌÇÁÄ¡È÷ ´ëÇб³ÀÇ Áß¼¼ ¹× Çö´ë ¹Ì¼ú ±³¼ö·Î ÀçÁ÷ÇÏ°í ÀÖ´Ù. Ÿ¼Ï¿¡¼­ ÃâÆÇÇÑ µµ¼­·Î´Â ¡º·¹¿À³ª¸£µµ ´Ù ºóÄ¡¡», ¡º¹ÌÄ̶õÁ©·Î¡»°¡ ÀÖ´Ù.

½Ç¿ë/¿¹¼ú ºÐ¾ß¿¡¼­ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥

    ¸®ºä

    0.0 (ÃÑ 0°Ç)

    100ÀÚÆò

    ÀÛ¼º½Ã À¯ÀÇ»çÇ×

    ÆòÁ¡
    0/100ÀÚ
    µî·ÏÇϱâ

    100ÀÚÆò

    0.0
    (ÃÑ 0°Ç)

    ÆǸÅÀÚÁ¤º¸

    • ÀÎÅÍÆÄÅ©µµ¼­¿¡ µî·ÏµÈ ¿ÀǸ¶ÄÏ »óÇ°Àº ±× ³»¿ë°ú Ã¥ÀÓÀÌ ¸ðµÎ ÆǸÅÀÚ¿¡°Ô ÀÖÀ¸¸ç, ÀÎÅÍÆÄÅ©µµ¼­´Â ÇØ´ç »óÇ°°ú ³»¿ë¿¡ ´ëÇØ Ã¥ÀÓÁöÁö ¾Ê½À´Ï´Ù.

    »óÈ£

    (ÁÖ)±³º¸¹®°í

    ´ëÇ¥ÀÚ¸í

    ¾Èº´Çö

    »ç¾÷ÀÚµî·Ï¹øÈ£

    102-81-11670

    ¿¬¶ôó

    1544-1900

    ÀüÀÚ¿ìÆíÁÖ¼Ò

    callcenter@kyobobook.co.kr

    Åë½ÅÆǸž÷½Å°í¹øÈ£

    01-0653

    ¿µ¾÷¼ÒÀçÁö

    ¼­¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù)

    ±³È¯/ȯºÒ

    ¹ÝÇ°/±³È¯ ¹æ¹ý

    ¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼­ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼­ ½Åû °¡´É

    ¹ÝÇ°/±³È¯°¡´É ±â°£

    º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É
    ´Ü, »óÇ°ÀÇ °áÇÔ ¹× °è¾à³»¿ë°ú ´Ù¸¦ °æ¿ì ¹®Á¦Á¡ ¹ß°ß ÈÄ 30ÀÏ À̳»

    ¹ÝÇ°/±³È¯ ºñ¿ë

    º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã
    »óÇ°À̳ª ¼­ºñ½º ÀÚüÀÇ ÇÏÀÚ·Î ÀÎÇÑ ±³È¯/¹ÝÇ°Àº ¹Ý¼Û·á ÆǸÅÀÚ ºÎ´ã

    ¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯

    ·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì
    (´ÜÁö È®ÀÎÀ» À§ÇÑ Æ÷Àå ÈѼÕÀº Á¦¿Ü)

    ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì
    ¿¹) È­ÀåÇ°, ½ÄÇ°, °¡ÀüÁ¦Ç°(¾Ç¼¼¼­¸® Æ÷ÇÔ) µî

    ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì
    ¿¹) À½¹Ý/DVD/ºñµð¿À, ¼ÒÇÁÆ®¿þ¾î, ¸¸È­Ã¥, ÀâÁö, ¿µ»ó È­º¸Áý

    ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì

    ·ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì

    »óÇ° Ç°Àý

    °ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½

    ¼ÒºñÀÚ ÇÇÇغ¸»ó
    ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó

    ·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº ¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© 󸮵Ê

    ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ ¼ÒºñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ

    (ÁÖ)KGÀ̴Ͻýº ±¸¸Å¾ÈÀü¼­ºñ½º¼­ºñ½º °¡ÀÔ»ç½Ç È®ÀÎ

    (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ ¸ðµç °Å·¡¿¡ ´ëÇÏ¿©
    (ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼­ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.

    ¹è¼Û¾È³»

    • ±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.

    • Ãâ°í°¡´É ½Ã°£ÀÌ ¼­·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.

    • ±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.

    • ¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.

    • - µµ¼­ ±¸¸Å ½Ã 15,000¿ø ÀÌ»ó ¹«·á¹è¼Û, 15,000¿ø ¹Ì¸¸ 2,500¿ø - »óÇ°º° ¹è¼Ûºñ°¡ ÀÖ´Â °æ¿ì, »óÇ°º° ¹è¼Ûºñ Á¤Ã¥ Àû¿ë