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¡ºKorean Painting: From Modern to Contemporary, 1945-1980s¡»Àº ±¤º¹ ÀÌÈÄ 1980³â´ë±îÁö Çѱ¹ ±ÙÇö´ë ȸÈÀÇ È帧À» º¸¿©ÁÖ´Â ¿µ¹® µµ¼ÀÌ´Ù. Çѱ¹ Çö´ë¿¹¼ú ½Ã¸®Áî Áß ¾Õ¼ Ãâ°£µÈ ¹Ì¼ú µµ¼´Â µð¾Æ½ºÆ÷¶ó, ¿©¼º ¹Ì¼ú°¡, Ãß»óÀ̶ó´Â ƯÁ¤ ÁÖÁ¦¸¦ ´Ù·é µ¥ ºñÇØ, ÀÌ µµ¼´Â Çѱ¹ ±ÙÇö´ë ȸȸ¦ Àü¹ÝÀûÀ¸·Î ¼Ò°³ÇÑ´Ù.
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¡ºKorean Painting: From Modern to Contemporary, 1945-1980s¡»Àº ±¤º¹ ÀÌÈÄ 1980³â´ë±îÁö Çѱ¹ ±ÙÇö´ë ȸÈÀÇ È帧À» º¸¿©ÁÖ´Â ¿µ¹® µµ¼ÀÌ´Ù. Çѱ¹ Çö´ë¿¹¼ú ½Ã¸®Áî Áß ¾Õ¼ Ãâ°£µÈ ¹Ì¼ú µµ¼´Â µð¾Æ½ºÆ÷¶ó, ¿©¼º ¹Ì¼ú°¡, Ãß»óÀ̶ó´Â ƯÁ¤ ÁÖÁ¦¸¦ ´Ù·é µ¥ ºñÇØ, ÀÌ µµ¼´Â Çѱ¹ ±ÙÇö´ë ȸȸ¦ Àü¹ÝÀûÀ¸·Î ¼Ò°³ÇÑ´Ù. ±¤º¹ ÀÌÈÄ ÁøÇàµÈ ±¸»ó°ú ºñ±¸»óÀÇ ¾ç´ë °èº¸, 70³â´ë ½ÇÇè ¹Ì¼ú, 80³â´ë ¹ÎÁß ¹Ì¼ú µîÀ» Àü¹ÝÀûÀ¸·Î ¼¼úÇÏ¸ç °¢ ½Ã±â º°·Î È´Ü¿¡ ´ëµÎµÇ¾ú´ø ÁÖ¿ä À̽´µé°ú ÇØ¿Ü µ¿ÇâÀÇ À¯ÀÔ ¹× Çѱ¹ ¹Ì¼ú°¡µéÀÇ ÇØ¿Ü ÁøÃâ µîÀ» Àϸñ¿ä¿¬ÇÏ°Ô È®ÀÎÇÒ ¼ö ÀÖ´Ù.
20¼¼±â ÃʺÎÅÍ ¿ì¸®³ª¶ó´Â ÀÏÁ¦½Ä¹ÎÁö, ±¤º¹, ¹Ì±ºÁ¤°ú ¼Ò±ºÁ¤ÀÇ ºÐÇÒÅëÄ¡, Çѱ¹ÀüÀï, ºÐ´Ü µî Á¤Ä¡»çȸÀûÀ¸·Î È¥¶õ°ú º¯È¸¦ ¸Â´Â´Ù. º» µµ¼´Â ÀÏÁ¦ °Á¡±â ¶§ºÎÅÍ ³íÀǸ¦ ½ÃÀÛÇϴµ¥ ´ç½Ã »óȲÀÌ ¿ì¸® Çö´ë ¹Ì¼ú»ç¿¡ ¹ÌÄ£ ¿µÇâÀÌ Å©±â ¶§¹®ÀÌ´Ù. 2ÀåÀº 1945³â ±¤º¹ ÀÌÈÄ Á¤Ä¡Àû À̳信 µû¶ó ¹¶Ä¡°í Èð¾îÁø ¹Ì¼ú ´Üüµé, ¡°½Å»ç½ÇÆÄ¡±ÀÇ ÀüÀ§Àû ¼ºÇâ, ±×¸®°í 1950³â´ë Çѱ¹ÀüÀï±â ¹Ì¼ú°¡µéÀÇ È°µ¿À» ¼Ò°³ÇÑ´Ù. 3ÀåÀº Çö´ë ¹Ì¼ú±³À°±â°üÀÇ ¹ßÀüÀ» º¸¿©ÁÖ°í ´ëÇѹα¹¹Ì¼úÀü¶÷ȸÀÇ Ã¢¼³°ú ±»¾îÁø °üÇà¿¡ ´ëÇØ ºñÆÇÇÑ´Ù. 4ÀåÀº 1960³â´ë º»°ÝÈµÈ Çѱ¹ ¹Ì¼ú°¡µéÀÇ ÇØ¿Ü ÁøÃâ°ú ´ç½Ã À¯ÇàÇß´ø ¾ÞÆ÷¸£¸á ¹Ì¼ú, ±×¸®°í ƯÁ¤ À¯Æijª »çÁ¶¿¡ ¼ÓÇÏÁö ¾Ê¾Ò´ø ÀÛ°¡¸¦ ¼Ò°³ÇÑ´Ù. 5Àå¿¡¼´Â 1970³â´ë µîÀåÇÑ °³³ä¹Ì¼ú°ú ÇàÀ§¹Ì¼ú, ±×¸®°í ´Ü»öȸ¦ »ìÆ캻´Ù. 6Àå¿¡¼´Â 1980³â´ë ŵ¿ÇÑ ¹ÎÁ߹̼ú°ú Çö´ë ¹Ì¼úÀÇ Ãß»óÀû »çÁ¶¿¡ ¹Ý¹ßÇØ µµ¾àÇÑ ±¸»ó¹Ì¼ú¿¡ ´ëÇØ ´Ù·é´Ù. ¸¶Áö¸· Àå¿¡¼´Â ¸ð´õ´ÏÁò °³³ä¿¡ ´ëÇÑ Áú¹®°ú ½Ã´ë ±¸ºÐ ¹× ¿ª»ç ÀνÄÀ» Á¦°íÇÒ Çʿ伺À» Á¦½ÃÇÑ´Ù.
ÀÌ µµ¼´Â Çѱ¹ÀÇ ½Ã´ëÀû È帧°ú ÇÔ²² Çѱ¹ ±ÙÇö´ë ¹Ì¼úÀÇ Á߽ɿ¡ ÀÖ´ø ÀÛ°¡¸¦ Å« ±×¸²À» ±×¸®¸ç ÆľÇÇÒ ¼ö ÀÖÀ¸¸ç, ±×µéÀÇ ÁÖ¿Á °°Àº È¸È ÀÛÇ°À» ´Ù·® ¼Ò°³ÇÑ´Ù. ±¹³» È°¡ÀÇ ¿ì¼ö¼ºÀ» ¼¼°è¿¡ ¾Ë¸®´Â ÁÁÀº ±âȸ°¡ µÉ °ÍÀÌ°í Çö´ë Çѱ¹¹Ì¼ú»ç¿¡ ´ëÇØ ±ÕÇü ÀâÈù °³¿ä°¡ ÇÊ¿äÇÑ µ¶ÀÚ¿¡°Ô ÀûÇÕÇÑ Ã¥ÀÌ µÉ °ÍÀÌ´Ù.
General View of Korean Artists and Their Paintings from 1945 to 1980s
History of Modern and Contemporary Korean Painting
Korean Painting: From Modern to Contemporary, 1945-1980s is intended for the use of those who are curious about the modern history of Korean art, especially in the field of the painting. Compared to earlier art book series which focused on specific topic like diaspora-artist, women artists, abstract painting, the newly released book shows the history of modern and contemporary Korean painting through its selected introductions of artists and their paintings from 1945 to 1980s. The book also contains developing stages, historical contexts, important artists, and movements of Korean art history.
Since beginning of the 20th century, Korean society was a state of confusion and disorganized change: Japanese occupation of Korea, the U.S. and Soviet Union¡¯ military rule, the Korean War, and division of territory. This book contains the individual and group movements and experiments of the period in Korean art world which is closely connected with these political situations. In the first and second chapters, it is presented one by one: problem of cultural identity under the Japanese colonial era, art groups of the liberation period, neo-realists group, and art activities during the Korean War. In the third and fourth chapters, it is introduced that the development of art college and National Art Exhibition, and pluralistic movements after the Korean War. The fifth and sixth chapters contain 1970s¡¯ conceptual art and monochrome painting, and 1980s¡¯ Minjung art and realism art. The last chapter deals with the terms of modernism.
The book will encourage readers to take an interest to the ceaseless struggles of Korean painters and to understand the many causes of the actions behind various conflicts between generations, schools, and tendencies. This book will continue to help the world public¡¯s understanding and interest in modern art by introducing not only the modern art of Korea but that of foreign countries.
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Preface
01 Introduction: Aftermath of Japanese Colonialism and the Problem of Cultural Identity
02 From the Liberation to the Korean War
¤ýArt Groups of the Liberation Period
¤ýNeo-Realists Group and Birth of Formative Ideology in Modernism
¤ýArt Activities during the Korean War
03 Formation of Academism
¤ýThe Development of Art College
¤ýThe Rise and Fall of National Art Exhibition of the Republic of Korea
04 Pluralistic Movements after the Korean War
¤ýDeclaration of Anti-National Art Exhibition (Anti-Gukjeon) and Informel Movement
¤ýKorean Artists in the Period of International Biennales
¤ýFigurative Artists, the Outsiders
05 Avant-Gardes and Conservatives of the 1970s
¤ýIntroduction of Conceptual Art
¤ýMonochrome Painting
06 Counterattack of the Image in the 1980s
¤ýMinjung Art and the Aesthetics of Realism
¤ýBeyond the Restriction of Modernism
07 Conclusion: Modernism, Modernity, Modernization
Notes
Bibliography
Plates ¼¹®
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