°£Æí°áÁ¦, ½Å¿ëÄ«µå û±¸ÇÒÀÎ
īī¿ÀÆäÀÌ 3,000¿ø
(īī¿ÀÆäÀÌ 5¸¸¿ø ÀÌ»ó °áÁ¦½Ã, 3/1~3/31 ±â°£ Áß 1ȸ)
»ï¼ºÄ«µå 6% (14,780¿ø)
(»ï¼ºÄ«µå 6% û±¸ÇÒÀÎ)
ÀÎÅÍÆÄÅ© ·Ôµ¥Ä«µå 5% (14,940¿ø)
(ÃÖ´ëÇÒÀÎ 10¸¸¿ø / Àü¿ù½ÇÀû 40¸¸¿ø)
ºÏÇǴϾð ·Ôµ¥Ä«µå 30% (11,010¿ø)
(ÃÖ´ëÇÒÀÎ 3¸¸¿ø / 3¸¸¿ø ÀÌ»ó °áÁ¦)
NH¼îÇÎ&ÀÎÅÍÆÄũīµå 20% (12,580¿ø)
(ÃÖ´ëÇÒÀÎ 4¸¸¿ø / 2¸¸¿ø ÀÌ»ó °áÁ¦)
Close

Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson (Paperback) [Paperback]

ÇØ¿ÜÁÖ¹®¿ø¼­ ¼Òµæ°øÁ¦

2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.

ÆÇ¸ÅÁö¼ö 86
?
ÆÇ¸ÅÁö¼ö¶õ?
»çÀÌÆ®ÀÇ ÆÇ¸Å·®¿¡ ±â¹ÝÇÏ¿© ÆÇ¸Å·® ÃßÀ̸¦ ¹Ý¿µÇÑ ÀÎÅÍÆÄÅ© µµ¼­¿¡¼­ÀÇ µ¶¸³ÀûÀÎ ÆÇ¸Å Áö¼öÀÔ´Ï´Ù. ÇöÀç °¡Àå Àß ÆÈ¸®´Â »óǰ¿¡ °¡ÁßÄ¡¸¦ µÎ¾ú±â ¶§¹®¿¡ ½ÇÁ¦ ´©Àû ÆÇ¸Å·®°ú´Â ´Ù¼Ò Â÷À̰¡ ÀÖÀ» ¼ö ÀÖ½À´Ï´Ù. ÆÇ¸Å·® ¿Ü¿¡µµ ´Ù¾çÇÑ °¡ÁßÄ¡·Î ±¸¼ºµÇ¾î ÃÖ±ÙÀÇ À̽´µµ¼­ È®Àνà À¯¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù. ÇØ´ç Áö¼ö´Â ¸ÅÀÏ °»½ÅµË´Ï´Ù.
Close
°øÀ¯Çϱâ
  • Àú : ¹ÌÄ¡ ¾Ùº½
  • ÃâÆÇ»ç : Broadway Pr
  • ¹ßÇà : 2002³â 10¿ù 08ÀÏ
  • Âʼö : 192
  • Á¦Ç°±¸¼º : Àü1±Ç
  • ISBN : 9780767905923
Á¤°¡

20,090¿ø

  • 15,720¿ø (22%ÇÒÀÎ)

ÇÒÀÎÇýÅÃ
Àû¸³ÇýÅÃ
  • I-Point Àû¸³Àº Ãâ°í¿Ï·á ÈÄ 14ÀÏ À̳» ¸¶ÀÌÆäÀÌÁö¿¡¼­ Àû¸³¹Þ±âÇÑ °æ¿ì¸¸ Àû¸³µË´Ï´Ù.
Ãß°¡ÇýÅÃ
¹è¼ÛÁ¤º¸
ÁÖ¹®¼ö·®
°¨¼Ò Áõ°¡

¡Ø Äڷγª19·Î ÀÎÇÑ Ç×°øÆí °¨¼Ò·Î ÇØ¿ÜÁÖ¹®¿ø¼­ÀÇ ¹è¼ÛÀÌ Æò¼Òº¸´Ù ÃÖ´ë ÀÏÁÖÀÏ Á¤µµ Áö¿¬µÉ ¼ö ÀÖÀ¸´Ï ÁÖ¹®¿¡ Âü°í ºÎʵ右´Ï ´õº¸±â

ƯÀÌ»çÇ×

¡Ø Äڷγª19·Î ÀÎÇÑ Ç×°øÆí °¨¼Ò·Î ÇØ¿ÜÁÖ¹®¿ø¼­ÀÇ ¹è¼ÛÀÌ Æò¼Òº¸´Ù ÃÖ´ë ÀÏÁÖÀÏ Á¤µµ Áö¿¬µÉ ¼ö ÀÖÀ¸´Ï ÁÖ¹®¿¡ Âü°í ºÎʵ右´Ï´Ù. °¨»çÇÕ´Ï´Ù.
¡Ø ¹Ì±¹ ³» Äڷγª19 È®»êÀ¸·Î ƯÁ¤ »óǰ¿¡ ÇÑÇØ Ãß°¡ 3ÁÖ Á¤µµ Áö¿¬µÉ ¼ö ÀÖÀ¸´Ï ¾çÇØ ºÎʵ右´Ï´Ù.

ÇØ¿ÜÁÖ¹®¿ø¼­/Àϼ­´Â °í°´ÀÇ ¿äû¿¡ ÀÇÇØ ÁÖ¹®ÇÏ´Â '°³ÀοÀ´õ' »óǰÀ¸·Î, ´Ü¼ø º¯½É/Âø¿À·Î ÀÎÇÑ Ãë¼Ò, ¹Ýǰ, ±³È¯ÀÌ ºÒ°¡ÇÕ´Ï´Ù.
´Ü, ǰÀý/ÀýÆÇÀÎ °æ¿ì¿Í °áÁ¦¿Ï·á ´çÀÏ 24½Ã±îÁö´Â ¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹Ýǰ/±³È¯/ȯºÒ ¿¡¼­ Ãë¼Ò½ÅûÀÌ °¡´ÉÇÕ´Ï´Ù.
ºÎµæÀÌÇÑ »çÁ¤À¸·Î ÀÎÅÍÆÄÅ© Á÷¸ÅÀÔ ÇØ¿ÜÁÖ¹®¾ç¼­/Àϼ­¸¦ °í°´º¯½É »çÀ¯·Î ¹Ýǰ ½ÅûÀ» ÇÒ °æ¿ì '¼öÀÔÁ¦¹Ýºñ¿ë'À» ȯºÒ±Ý¾×¿¡¼­ Â÷°¨Çϰí ȯºÒÇÕ´Ï´Ù.
¶ÇÇÑ, ÇØ¿Ü °Å·¡Ã³ »çÁ¤¿¡ ÀÇÇÏ¿© ÁÖ¹®»óǰÀÌ Ç°ÀýÀ̳ª ÀÔ°í Áö¿¬µÉ ¼öµµ ÀÖ´Ù´Â Á¡µµ ¾Ë·Á µå¸³´Ï´Ù.
¡Ø ¼öÀÔÁ¦¹Ýºñ¿ëÀ̶õ ÆÇ¸Å°¡ÀÇ 20% (¹Ýǰ/Ãë¼Ò ¼ö¼ö·á´Â, ¼öÀÔÁ¦¹Ýºñ¿ë(¼ö¼Ûºñ¿ë, °ü¼¼»çºñ, º¸¼¼Ã¢°í·á, ³»·ú¿î¼Ûºñ, Åë°üºñ µî)°ú Àç°í¸®½ºÅ©(¹ÌÆÇ¸Å ¸®½ºÅ©, ȯÂ÷¼Õ)¿¡ µû¸¥ ºñ¿ëÀ» Æ÷ÇÔÇϸç, ÆÇ¸Å°¡¿¡ »ó°ü¾øÀÌ Àϰý 20%°¡ Àû¿ëµË´Ï´Ù.)

ÃâÆÇ»ç ¼­Æò

Maybe it was a grandparent, or a teacher, or a colleague. Someone older, patient and wise, who understood you when you were young and searching, helped you see the world as a more profound place, gave you sound advice to help you make your way through it.

For Mitch Albom, that person was Morrie Schwartz, his college professor from nearly twenty years ago.

Maybe, like Mitch, you lost track of this mentor as you made your way, and the insights faded, and the world seemed colder. Wouldn't you like to see that person again, ask the bigger questions that still haunt you, receive wisdom for your busy life today the way you once did when you were younger?

Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man's life. Knowing he was dying, Morrie visited with Mitch in his study every Tuesday, just as they used to back in college. Their rekindled relationship turned into one final ¡°class¡±: lessons in how to live.

Tuesdays with Morrie is a magical chronicle of their time together, through which Mitch shares Morrie's lasting gift with the world.

It¡¯s been ten years since Mitch Albom first shared the wisdom of Morrie Schwartz with the world. Now?twelve million copies later?in a new afterword, Mitch Albom reflects again on the meaning of Morrie¡¯s life lessons and the gentle, irrevocable impact of their Tuesday sessions all those years ago. . .

ÀúÀÚ¼Ò°³

¹ÌÄ¡ ¾Ùº½(Mitch Albom) [Àú] ½ÅÀ۾˸² SMS½Åû ÀÛ°¡DBº¸±â
»ý³â¿ùÀÏ 1958.05.23~
Ãâ»ýÁö ¹Ì±¹ ´ºÀúÁö ÆÛ¼¼ÀÌÅ©
Ãâ°£µµ¼­ 23Á¾
ÆÇ¸Å¼ö 158,725±Ç

¹ÌÄ¡ ¾Ùº½Àº ¼¼°èÀûÀÎ ¼º°øÀ» °ÅµÐ º£½ºÆ®¼¿·¯ ÀÛ°¡ÀÌ´Ù. ±×ÀÇ Àλý ¿ªÁ¤À» »ìÆìº¸¸é µÎ °³ÀÇ Å« °ü½É»ç°¡ °üÅëÇϰí ÀÖÀ½À» ¾Ë ¼ö ÀÖ´Ù. À½¾Ç°ú ±Û¾²±â. ¸ÕÀú À½¾Ç¿¡ ´ëÇÑ ¿­Á¤Àº ¾î¸° ½ÃÀýºÎÅÍ ½ÏÅÍ, ÀÌÈÄ ÀçÁî ÇǾƴϽºÆ®·Î¼­ Çкñ¸¦ ¹ú¸é¼­ Ä÷³ºñ¾Æ ¾ð·Ð´ëÇпøÀ» ¸¶Ãưí, Áö±Ýµµ ½ºÆ¼ºì Å· µî 9¸íÀÇ ÀÛ°¡µé·Î ±¸¼ºµÈ ÀÚ¼± ¹êµåÀÎ '·Ï Â±â'(Rock Bottom Remainders)ÀÇ ¸â¹ö·Î Ȱµ¿Çϸ鼭 ¾Æµ¿ ±Û¾²±â¸¦ ÈÄ¿øÇϰí ÀÖ´Ù.
±Û¾²±â´Â 20´ë Ãʹݿ¡ ½ºÆ÷Ã÷

ÆîÃ帱â

¿¬°ü±â»ç(1°Ç)

¹®ÇÐ ºÐ¾ß¿¡¼­ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥

    ¸®ºä

    0.0 (ÃÑ 0°Ç)

    ±¸¸Å ÈÄ ¸®ºä ÀÛ¼º ½Ã, ºÏÇǴϾð Áö¼ö ÃÖ´ë 600Á¡

    ¸®ºä¾²±â

    ±â´ëÆò

    ÀÛ¼º½Ã À¯ÀÇ»çÇ×

    ÆòÁ¡
    0/200ÀÚ
    µî·ÏÇϱâ

    ±â´ëÆò

    0.0

    ±³È¯/ȯºÒ

    ±³È¯/ȯºÒ ¹æ¹ý

    ¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹Ýǰ/±³È¯/ȯºÒ¡¯ ¿¡¼­ ½ÅûÇÔ, 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¶Ç´Â °í°´¼¾ÅÍ(1577-2555) ÀÌ¿ë °¡´É

    ±³È¯/ȯºÒ °¡´É ±â°£

    °í°´º¯½ÉÀº Ãâ°í¿Ï·á ´ÙÀ½³¯ºÎÅÍ 14ÀÏ ±îÁö¸¸ ±³È¯/ȯºÒÀÌ °¡´ÉÇÔ

    ±³È¯/ȯºÒ ºñ¿ë

    °í°´º¯½É ¶Ç´Â ±¸¸ÅÂø¿ÀÀÇ °æ¿ì¿¡¸¸ 2,500¿ø Åùèºñ¸¦ °í°´´ÔÀÌ ºÎ´ãÇÔ

    ±³È¯/ȯºÒ ºÒ°¡»çÀ¯

    ¹ÝǰÁ¢¼ö ¾øÀÌ ¹Ý¼ÛÇϰųª, ¿ìÆíÀ¸·Î º¸³¾ °æ¿ì »óǰ È®ÀÎÀÌ ¾î·Á¿ö ȯºÒÀÌ ºÒ°¡ÇÒ ¼ö ÀÖÀ½
    ¹è¼ÛµÈ »óǰÀÇ ºÐ½Ç, »óǰÆ÷ÀåÀÌ ÈÑ¼ÕµÈ °æ¿ì, ºñ´Ò·¦ÇÎµÈ »óǰÀÇ ºñ´Ò °³ºÀ½Ã ±³È¯/¹ÝǰÀÌ ºÒ°¡´ÉÇÔ

    ¼ÒºñÀÚ ÇÇÇØº¸»ó

    ¼ÒºñÀÚ ÇÇÇØº¸»óÀÇ ºÐÀïó¸® µî¿¡ °üÇÑ »çÇ×Àº ¼ÒºñÀÚºÐÀïÇØ°á±âÁØ(°øÁ¤°Å·¡À§¿øÈ¸ °í½Ã)¿¡ µû¶ó ºñÇØ º¸»ó ¹ÞÀ» ¼ö ÀÖÀ½
    ±³È¯/¹Ýǰ/º¸ÁõÁ¶°Ç ¹× ǰÁúº¸Áõ ±âÁØÀº ¼ÒºñÀڱ⺻¹ý¿¡ µû¸¥ ¼ÒºñÀÚ ºÐÀï ÇØ°á ±âÁØ¿¡ µû¶ó ÇÇÇØ¸¦ º¸»ó ¹ÞÀ» ¼ö ÀÖÀ½

    ±âŸ

    µµ¸Å»ó ¹× Á¦ÀÛ»ç »çÁ¤¿¡ µû¶ó ǰÀý/ÀýÆÇ µîÀÇ »çÀ¯·Î ÁÖ¹®ÀÌ Ãë¼ÒµÉ ¼ö ÀÖÀ½(ÀÌ °æ¿ì ÀÎÅÍÆÄÅ©µµ¼­¿¡¼­ °í°´´Ô²² º°µµ·Î ¿¬¶ôÇÏ¿© °íÁöÇÔ)

    ¹è¼Û¾È³»

    • ÀÎÅÍÆÄÅ© µµ¼­ »óǰÀº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óǰÀ» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù

    • Ãâ°í°¡´É ½Ã°£ÀÌ ¼­·Î ´Ù¸¥ »óǰÀ» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óǰÀ» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.

    • ±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÏ¿©, ÀÎÅÍÆÄÅ© ¿Ü Ÿ¾÷ü ¹è¼Û»óǰÀÎ °æ¿ì ¹ß¼ÛµÇÁö ¾ÊÀ» ¼ö ÀÖ½À´Ï´Ù.

    • ¹è¼Ûºñ

    µµ¼­(Áß°íµµ¼­ Æ÷ÇÔ) ±¸¸Å

    2,000¿ø (1¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)

    À½¹Ý/DVD/ÀâÁö/¸¸È­ ±¸¸Å

    2,000¿ø (2¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)

    µµ¼­¿Í À½¹Ý/DVD/ÀâÁö/¸¸È­/
    Áß°íÁ÷¹è¼Û»óǰÀ» ÇÔ²² ±¸¸Å

    2,000¿ø (1¸¸¿øÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼Û)

    ¾÷üÁ÷Á¢¹è¼Û»óǰ ±¸¸Å

    ¾÷üº° »óÀÌÇÑ ¹è¼Ûºñ Àû¿ë