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Foreword | p. x |
Introduction | p. xvii |
1901: Corn-pone Opinions | p. 1 |
1903: Of the Coming of John | p. 6 |
1906: A Law of Acceleration | p. 20 |
1909: Stickeen | p. 28 |
1910: The Moral Equivalent of War | p. 45 |
1911: The Handicapped | p. 57 |
1912: Coatesville | p. 71 |
1916: The Devil Baby at Hull-House | p. 75 |
1919: Tradition and the Individual Talent | p. 90 |
1923: Pamplona in July | p. 98 |
1925: The Hills of Zion | p. 107 |
1928: How It Feels to Be Colored Me | p. 114 |
1933: The Old Stone House | p. 118 |
1935: What Are Master-pieces and Why Are There So Few of Them | p. 131 |
1936: The Crack-Up | p. 139 |
1937: Sex Ex Machina | p. 153 |
1937: The Ethics of Living Jim Crow: An Autobiographical Sketch | p. 159 |
1938: Knoxville: Summer of 1915 | p. 171 |
1939: The Figure a Poem Makes | p. 176 |
1941: Once More to the Lake | p. 179 |
1944: Insert Flap "A" and Throw Away | p. 186 |
1949: Bop | p. 190 |
1950: The Future Is Now | p. 193 |
1953: Artists in Uniform | p. 199 |
1955: The Marginal World | p. 214 |
1955: Notes of a Native Son | p. 220 |
1956: The Brown Wasps | p. 239 |
1957: A Sweet Devouring | p. 246 |
1961: A Hundred Thousand Straightened Nails | p. 252 |
1963: Letter from Birmingham Jail | p. 263 |
1964: Putting Daddy On | p. 280 |
1964: Notes on "Camp" | p. 288 |
1966: Perfect Past | p. 303 |
1967: The Way to Rainy Mountain | p. 313 |
1968: The Apotheosis of Martin Luther King | p. 319 |
1969: Illumination Rounds | p. 327 |
1970: I Know Why the Caged Bird Sings | p. 342 |
1971: The Lives of a Cell | p. 358 |
1972: The Search for Marvin Gardens | p. 361 |
1972: The Doomed in Their Sinking | p. 373 |
1975: No Name Woman | p. 383 |
1975: Looking for Zora | p. 395 |
1977: Women and Honor: Some Notes on Lying | p. 412 |
1979: The White Album | p. 421 |
1980: Aria: A Memoir of a Bilingual Childhood | p. 447 |
1981: The Solace of Open Spaces | p. 467 |
1982: Total Eclipse | p. 477 |
1982: A Drugstore in Winter | p. 490 |
1987: Okinawa: The Bloodiest Battle of All | p. 497 |
1988: Heaven and Nature | p. 507 |
1989: The Creation Myths of Cooperstown | p. 520 |
1990: Life with Daughters: Watching the Miss America Pageant | p. 532 |
1993: The Disposable Rocket | p. 549 |
1995: They All Just Went Away | p. 553 |
1997: Graven Images | p. 564 |
Biographical Notes | p. 569 |
Notable Twentieth-Century American Literary Nonfiction | p. 591 |
Table of Contents provided by Syndetics. All Rights Reserved. |
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This singular collection is nothing less than a political, spiritual, and intensely personal record of America"s tumultuous modern age, as experienced by our foremost critics, commentators, activists, and artists. Joyce Carol Oates has collected a group of works that are both intimate and important, essays that move from personal experience to larger significance without severing the connection between speaker and audience. From Ernest Hemingway covering bullfights in Pamplona to Martin Luther King, Jr."s "Letter from Birmingham Jail," these essays fit, in the words of Joyce Carol Oates, "into a kind of mobile mosaic suggest[ing] where we"ve come from, and who we are, and where we are going." Among those whose work is included are Mark Twain, John Muir, T. S. Eliot, Richard Wright, Vladimir Nabokov, James Baldwin, Tom Wolfe, Susan Sontag, Maya Angelou, Alice Walker, Joan Didion, Cynthia Ozick, Saul Bellow, Stephen Jay Gould, Edward Hoagland, and Annie Dillard.
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